“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her. She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly. “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.” This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.” This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain that no one reading this believes the people around him/her are capable of doing such things to another human being, but this performance proves otherwise.”
Henri Matisse, Busto in gesso, bouquet di fiori
Dave Grohl, RuPaul, Frances Bean and Kurt Cobain
Bata children after their first Communion. Equatorial Guinea, 1989
Henri Matisse, Female Nude, 1907
The Strokes – I’ll Try Anything Once
When I said, ‘I can see me in your eyes’
You said, ‘I can see you in my bed’
Sir Lawrence Alma-Tadema,The Roses of Heliogabalus (1888) details.
No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.
- Simon Schama’s Power of Art. Bernini
Various Clouds, by Vincent Van Gogh.